It helps recreate a sense of scope and lack of control that really only exist in the first film.īecause we as the audience don't need the events of the movie explained to us as they happen it creates more opportunity for the show to focus on more character development. That's where a lot of drama and suspense ends up building from.
It's that sense of uncertainty and total powerlessness, of being caught in events much larger than themselves. We get to see the events of the movie happen beat for beat, but from the completely different perspective of a group of kids who don't know what the hell is going on. One of our main characters personally knows and is constantly namedropping Simon Masrani and the two camp counsellors keep trying and failing to get in touch with their boss, Clair Dearing - who, unbeknownst to them, is busy trying to survive the movie.īut this show doesn't just handle continuity with a cameo here and a namedrop there amid familiar surroundings. In episode two, we meet Henry Wu and tour his lab. Everything that's onscreen was approved by Colin, and Frank Marshall, and Steven Spielberg. "The director of Jurassic World, Colin Trevorrow, was very involved, continuously, as far as story, as far as canon, and as far as designs.
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